Simon Vouet
b. 1590, Paris, d. 1649, Paris.French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour.

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Simon Vouet Crucifixion  qwr oil painting


Crucifixion qwr
Oil on canvas Musee des Beaux-Arts, Lyon
Painting ID::  10141
Simon Vouet
Crucifixion qwr
Oil on canvas Musee des Beaux-Arts, Lyon
   
   
     

Simon Vouet St Jerome and the Angel oil painting


St Jerome and the Angel
1620s Oil on canvas, 144,8 x 179,8 cm National Gallery of Art, Washington
Painting ID::  10142
Simon Vouet
St Jerome and the Angel
1620s Oil on canvas, 144,8 x 179,8 cm National Gallery of Art, Washington
   
   
     

Simon Vouet St Mary Magdalene oil painting


St Mary Magdalene
1623Oil on canvas 241 x 171 cm Galleria Nazionale d'Arte Antica, Rome
Painting ID::  10143
Simon Vouet
St Mary Magdalene
1623Oil on canvas 241 x 171 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     

Simon Vouet Allegory of Peace oil painting


Allegory of Peace
1627 Oil on canvas 350 x 250 cm Galleria Nazionale d'Arte Antica,Rome
Painting ID::  10144
Simon Vouet
Allegory of Peace
1627 Oil on canvas 350 x 250 cm Galleria Nazionale d'Arte Antica,Rome
   
   
     

Simon Vouet Father Time Overcome by Love, Hope and Beauty oil painting


Father Time Overcome by Love, Hope and Beauty
1627 Oil on canvas 107 x 142 cm Museo del Prado, Madrid
Painting ID::  10145
Simon Vouet
Father Time Overcome by Love, Hope and Beauty
1627 Oil on canvas 107 x 142 cm Museo del Prado, Madrid
   
   
     

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     Simon Vouet
     b. 1590, Paris, d. 1649, Paris.French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour.

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